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4) Closely related to this third aspect is a subtle but characteristic oscillation expressed by a tensive quality of language that surfaces throughout the poetry. This moment is the beginning of a sparagmos, after which he is painstakingly "re-strung." 3) The moment is a particular stage of Orpheus's mythic pattern: when the scattered limbs first begin to stir back into life.
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Mallarmé's Orphlc moment is an internal event, reckoned by the prose-poem, "Le Démon de l'Analogie" (1865). Orpheus is the figure of the threshold between their two realms. Using Nietzsche's Apollo-Dionysos contrariety as frame, Orpheus/Mallarmé appears when the Apollonian world of Schein disappears back into its ground, "das Ur-Eine," or Dionysos.
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Mallarmé embodies a precise moment of the Orpheus myth: 1) the accelerated breakdown of the forms of Western culture at the fin-de-siècle.
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